The musical and poetic composition "O my prophetic soul" on the verses of Fedor Ivanovich Tyutchev for the Reader, Pianist and String Orchestra of the composer Sergei Aleksandrovich Oskolkov served as a sound basis for the philosophical parable about the Love of the human and divine, about the cycle of life, about the decline of civilization, That the latter will be the first. The film is shot as a dream, and the use of the aesthetic series of experimental cinema only emphasizes this state. The universal sound gives him the poetry of Fedor Tyutchev (1803-1873), deeply played by Leonid Mozgovoy behind the scenes. The young actors Natalya Surkova and Vladimir Zolotar, who existed in the frame, had a difficult task to show the first people not burdened with the intellectual work of subsequent generations. It was necessary to abandon today's problems and try to imagine themselves as original people, and then immediately move to the very end of time. The plot begins with them and ends with humanity. This author wanted to show continuity: the first love and the supposed last is an indivisible whole of one eternal Love.
In a dark room, we find two men forehead to forehead, sitting on the floor, heads connected by a helmet with an organic look. They are surrounded by silhouettes motionless and tense. In parallel in a sanitized white space, these two men face each other at a distance. They seem to have the power to influence the behavior of the other. Their violent and fierce manipulations quickly blow them to the limit of the knockout. This struggle has the effect of animating the individuals around them in the dark space. Alain Chamfort is the link between these two spaces. He is the witness and the narrator. He walks in the dark towards a ray of light. In the air there are particles that gradually draw a yellow landscape, a chaotic exterior that indicates a post-apocalyptic era. A child appears in the distance through the yellowish fog. He walks in the midst of a group of women and men of all ages walking in the same direction, looking out at the horizon of a new land. NOTE The duo evokes the contradictions of a single individual facing himself, he also represents humanity. The clip shows a dark face that gradually evolves towards sharing, listening, understanding. It is a form of rebirth by setting off dust in an animal movement that is humanized. The spaces of protection, the different closed spaces, the charged and colored air, indicate an unbreathable exterior, but it is not the nothingness ... The fact that the frozen bodies come back to life during the evolution of the duel, suggests the influence of our actions on everything around us and that man would have the power to reverse the course of things, the possibility of a second chance. The dust brings back to a primitive side, to the stars, to the universe. CHOREOGRAPHY The choreography and its setting in space leave a static state, the register of the intimate evolving towards bodies in full effusion. There are two distinct choreographies, that of the duo of dancers where the fight evolves towards a form of harmony, and this same duo immobile in another space with dancers (r) all around, linked to each other in a circle who eventually relax and become animated. Impulses, uncontrolled gestures begin to emerge. The dance is inspired by trances, rituals, traditional dances and martial arts.